PROGRAMA
HOW TO SHOW – HOW TO KEEP
An International Symposium on Exhibition Making and Documentation at Art Academies and Beyond.
18/01/22 – 20/01/22
In cooperation with the EU4ART academies in Budapest, Dresden, Riga and Rome.
Moderación: Andrea Weippert, Universidad de Bellas Artes de Dresde, directora de Relaciones Públicas
TUESDAY, 18/01/22
- 6:30 p. m. Bienvenida a cargo de Matthias Flügge, rector de la Universidad de Bellas Artes de Dresde
- 6:45 p. m. Conferencia inaugural a cargo de Marcelo Rezende, Archive of the Avantgardes, Dresden State Art Collections (SKD)
Marcelo Rezende es un profesional de los museos y comisario de exposiciones que actualmente reside en Dresde y Berlín. He is the former director of the Museum of Modern Art of Bahia (2012–2015) and was the artistic director of the 3rd Bahia Biennale (2014) and editor for the 28th São Paulo Biennale (2008).
WEDNESDAY, 19/01/22 – Old and New Ways of Documenting Art
- 10 a. m. Bienvenida a cargo del prof. Christian Sery, decano de la Universidad de Bellas Artes de Dresde
- 10.15 am Status quo & established approaches to exhibition documentation, by Gwendolin Kremer, Altana Galerie, Office for Academic Heritage, Technical University Dresden, Curator of the Schaufler Residency (Schaufler Lab@TU Dresden) & Adrian Sauer, artist and photographer, Leipzig
PART I – Good practice inputs and working sessions on documenting:
- 11 am – 12 pm A) Sound art, por Piero Mottola, profesor de Sound Art en la ABA Roma & Presentación del Archivo Sonoro, por Cecilia Casorati, directora, ABA Roma
- 12 – 1 pm B) Artpool – Central European Research Institute for Art History, Budapest, por Emese Kürti (PhD)
Emese Kürti es historiadora del arte, investigadora y crítica de arte, directora del Artpool Art Research Center y subdirectora de investigación del Central European Research Institute for Art History Museum of Fine Arts, Budapest.
Lunch Break
PART II – Good practice inputs and working sessions on documenting:
- 2.00 – 3.00 pm A) Arte público, por Tamás Pál (fundador y exdirector editorial de kozterkep.hu, la base de datos húngara de arte público)
- 3.00 – 4.00 pm B) Printed catalogues, digital data servers, microfiches and websites – How to make exhibition, documentation and art works accessible? by Dorothée Billard / Artistic Publication, Dresden University of Fine Arts
- 4 – 5.00 pm C) The exhibition as an art practice, by:
♦ Royal Academy of Fine Arts Antwerp
♦ Academy of Fine Arts Vienna
THURSDAY, 20/01/22 – How to Preserve Space and Aura
- 10 am Welcome & Short Summary
PART III – Good practice inputs and working sessions on documenting:
- 10.15 – 11.15 am A) Exhibition and performance documentation as artistic approach – Alternative ways, modes and ideas, by artists Paul Barsch
- 11.15 am – 12.15 pm B) Virtual (exhibition) space – A way to eternal access?, by Matīss Zvaigzne, Alvis Misjuns and Martins Vizbulis, Latvian Academy of Fine Art
Lunch Break
PART IV – Good practice inputs and working sessions on documenting:
- 2 – 3 pm A) The exhibition as an art practice, by:
♦ Haute école des arts du Rhin, Mulhouse, Estrasburgo
♦ Universidad de las Artes de Helsinki - 3 – 4 pm B) Servidores, estanterías y almacenamiento: ¿qué hacer con toda la documentación? Pros, contras y buenas prácticas de la documentación digital y analógica en relación con el almacenamiento, por Kitija Vasiljva, Academia Letona de Bellas Artes
- 4 – 4.30 pm Closing & Outlook
The symposium is supported by funds from the ERASMUS+ and DAAD.