Paola
Ungaro
Fashion designer & art director, founder of ‘PAOLA UNGARO STUDIO DESIGN’. After graduating from the Academy of Costume and Fashion in Rome and consolidating her training by working for leading fashion houses such as Renato Balestra, Pino Lancetti, Miguel Cruz and Gattinoni, she has been running her own consultancy studio since 1990, collaborating with well-known companies in Italy and abroad, including the Miroglio Vestebene Group (a ten-year design partnership covering the group’s various brands), Merc London, Sarah Lawrence, Piazza Italia, Blunauta\Ballon and ITTIERRE. She has received major international awards and accolades, including the Modipel Award in Milan for her project ‘Design in Italian Fur Fashion’ and an invitation to represent Italian fashion design at Beijing CHIC in 2005.
Since 1995, she has been a lecturer in ‘Textile Materials Technology / Textile Culture’ at various academies, including the IED (European Institute of Design), the Academy of Costume and Fashion, and the Academy of Fine Arts. An expert in tailoring techniques, fabrics and fibres, she has been working on sustainability, innovation and eco-design for several years. Since 2019, she has been collaborating with AGI (Agenzia Giornalistica Italiana) as a blogger, covering sustainability issues in the textile/fashion sector.
She collaborated with the CIA (Italian Confederation of Farmers, Donne in Campo) as a consultant for the ‘Agritessuti’ project: ‘Paesaggi’ da indossare’ in 2019.
She has published two manuals: Tecnologia. Innovation. Sustainability. Understanding Textile Materials. Volume 1 and Volume 2.
Over the past decade, the textile industry has undergone major restructuring to keep pace with significant cultural changes, culminating in the emergence of a new ethos that focuses on product sustainability at every stage, from design to disposal. Starting with an analysis and study of the traditional textile product categories, the course examines these changes from a global perspective, taking into account socio-cultural and historical aspects, including the textile sector in Italy, its industrial clusters and trade fairs. The course provides a suitable overview of old and new materials, their specific characteristics and production processes, as well as finishing and embellishment technologies, with references to their history of innovation and sustainability, the study of next-generation materials, including bio-based and eco-sustainable materials, and ‘smart’ fibres and fabrics (Smart Textiles and E-Textiles). In particular, the course explores dyeing and printing processes in depth, from ‘mass’ dyeing to garment dyeing or printing. The course also includes workshop activities using swatches of all types of fabrics, with the aim of helping students to recognise and classify fibres and the main types of textiles, developing their tactile experience and understanding the abbreviations used to identify fibres on fabric labels. Students are required to produce a final book/project.
Method of final assessment
The skills students have acquired during the course will be assessed in the final examination and through ongoing assessments carried out throughout the teaching programme. Various assessment tools are used and, taking into account the three key benchmarks, they cover the skills acquired in recognising, identifying and classifying textile materials suitable for designing fashion collections, the quality (in terms of presentation and content) of the book produced, which includes all the work carried out by students during the course, and the students’ theoretical knowledge of the entire programme covered.
Methods and criteria for assessing progress
- Presentation: A3-format book covering all the topics studied and containing the fabric data sheets and mood boards created during the course. Preparation of a final essay.
- Oral examination covering the entire programme.
Assessment
- 30% of the final mark is based on the production of the book, its execution, and the essay.
- 70% based on the oral examination – covering the two textbooks and the supplementary teaching materials – on the acquired ability to recognise the types of textiles studied in class.
- Marking system out of thirty (18/30 + distinction)
Compulsory reading list
- P. Ungaro, Tecnologia, Innovazione e Sostenibilità. Conoscere i materiali tessili (Technology, Innovation and Sustainability. Understanding Textile Materials), Conoscere i materiali tessili, Rome 2019. Vol. 1 and Vol. 2
Recommended reading
- L. Ciuni and M. Spadafora, La rivoluzione comincia dal tuo armadio: Tutto quello che dovreste sapere
- Sulla moda sostenibile. Solferino Editore, 23 April 2020
- Textilepedia, Fashionary International Limited
M. Ricchetti (ed.), Neomateriali nell’economia circolare, Ambiente, Milan, 2017
F. R. Rinaldi, S. Testa, L’impresa moda responsabile. Integrare etica ed estetica nella filiera, Egea, 2020
S. Sacchi, La fenice e il camaleonte nella moda e nel design. Recycling e upcycling, F. Angeli Editore, 2021
Websites
Learning Objectives
The course aims to explore the various aspects of textile culture and to provide the most relevant knowledge to understand the ongoing transformation in the textile and fashion sector. The course aims to provide students with a thorough understanding of older-generation textile materials produced using new technologies, as well as the latest-generation new materials, leathers and fibres that are entering the market. By analysing a number of textile brands and companies that are capitalising on the ongoing transformation of the textile and fashion sector to bring about a genuine paradigm shift, the course aims to focus on the transformation of textile products and accessories through technological innovation. The course delves into the study of production processes, materials, finishes, and the mandatory and voluntary certifications associated with textile products.
By examining the structure of the textile sector and analysing its critical issues, the course aims to highlight the importance of materials, their central role in the creative process, and their use in eco-design. The aim is to define eco-design and demonstrate its central role in the paradigm shift. Through a thorough understanding and knowledge of materials and production technologies, students will be encouraged to make informed choices about materials in relation to form and function, to seek a new educational and design approach in line with the current cultural evolution, to design and manufacture products that are sustainable, to minimise their environmental impact throughout their entire life cycle, and to ensure that their disposal is used to create something new.
Course description
The teaching methodology used in this course alternates between theoretical classroom lectures and demonstration sessions and/or practical exercises aimed at exploring the subject matter in greater depth through hands-on practice and direct experience. Over the past decade, the textile industry has had to undergo a major restructuring process in order to keep pace with significant cultural changes, culminating in the emergence of a new ethos focused on product sustainability at every stage, from design to disposal. The course provides a comprehensive overview of both traditional and new materials, their specific characteristics, and their production, finishing and enhancement processes, with in-depth exploration of their critical aspects and their journey towards innovation and sustainability. The course includes a detailed exploration of next-generation materials, including bio-based and eco-sustainable materials, as well as ‘smart’ textiles, technical, hi-tech and high-performance fabrics, and the sectors in which they are used (smart textiles and e-textiles). The course also includes workshop activities using swatches of all types of fabrics, with the aim of helping students to recognise and classify fibres and the main types of textiles, as well as developing their tactile experience and their understanding of the abbreviations used to identify fibres on fabric labels. Particular attention will be paid to the study of mandatory and voluntary certifications. The course analyses the role of the European Union (EU), including the Green Deal and its amendments aimed at regulating the textile and fashion sector.
The course also aims to provide in-depth information on the textile supply chain and its traceability, on regulations and the need to implement a blockchain, on how to balance creativity, competitiveness and sustainability, and on the undisputed central role of the creative process.
Creation of a final book/project.
Method of assessment
Students’ acquired skills will be assessed in the final examination and through ongoing assessments carried out throughout the course. Various assessment tools will be used, based on three key benchmarks: the skills acquired in recognising, identifying and classifying textile materials suitable for designing fashion collections; the quality (in terms of presentation and content) of the book produced, which will document all the work carried out by students during the course; and the students’ theoretical knowledge of the entire programme covered.
Methods and criteria for assessing progress:
- Presentation: A3-format book containing mood boards on all the topics covered and the technical data sheets for the fabrics examined during the course. Production of a final essay.
- Oral examination covering the entire programme.
Assessment:
- 35% of the final mark is based on the production of the book, its execution, and the essay.
- 65% based on the oral examination – covering the two textbooks and the supplementary teaching materials – on the acquired ability to recognise the types of textiles studied in class.
- Marking system out of thirty (18/30 + distinction)
Compulsory reading list
- P. Ungaro, Tecnologia, Innovazione e Sostenibilità. Conoscere i materiali tessili (Technology, Innovation and Sustainability. Understanding Textile Materials), Conoscere i materiali tessili, Rome 2019. Vol. 1 and Vol. 2
Recommended reading
- K. Fletcher, Sustainable Fashion and Textiles: Design Journeys
- Circular Design for Fashion – /ellenmacarthurfoundation.org
- Marco Ricchetti, Neomateriali nell’economia circolare – Moda, Milan, Ambiente, 2017
- F. R. Rinaldi, L’impresa moda responsabile. Integrare etica ed estetica nella filiera, Paperback, 4 February 2013
C. Hallett, A. Johnston, Fabric for Fashion. The Swatch Book, London 2012- C. Hakket and A. Johnston, Fabric for Fashion / The Swatch Book
- Textilepedia, Fashionary International Limited
Websites